The internet phenomenon known as Backrooms has officially made the jump to the big screen, and first-time feature director Kane Parsons has delivered a horror film that feels unlike almost anything else currently in theaters. Led by powerful performances from Chiwetel Ejiofor and Renate Reinsve, the film blends psychological horror, found-footage influences, and existential dread into a chilling exploration of memory, reality, and fear.

Rather than relying solely on traditional jump scares, Backrooms creates terror through atmosphere, isolation, and the unsettling feeling that something is deeply wrong even when nothing obvious is happening.
Clark, played by Chiwetel Ejiofor, is a struggling architect whose life has fallen apart.
His workplace, Cap'n Clark's Ottoman Empire, becomes one of the film's most memorable locations. The giant showroom is filled with artificial living spaces that already feel unsettling before the supernatural elements arrive.
Clark's personal failures become intertwined with the strange mystery hidden beneath the building.
Mary serves as Clark's therapist and becomes a crucial part of the story.
Renate Reinsve gives one of the film's strongest performances, helping ground the increasingly surreal narrative in genuine human emotion.
‘Backrooms’ is now the biggest opening ever for an original horror film at $118 MILLION globally.
— Pop Crave (@PopCrave) May 31, 2026
Directed by 20-year-old Kane Parsons. pic.twitter.com/as7po1Pp1Y
The film's central mystery begins when Clark discovers an unusual section of wall inside the furniture store's basement.
Behind it lies:
Each room feels slightly wrong, creating a constant sense of discomfort. The environments resemble memories, dreams, or alternate realities, though the film never provides easy answers.
That ambiguity becomes one of the movie's greatest strengths.
One of Backrooms' biggest achievements is its visual design.
Production designer Danny Vermette creates an endless maze of eerie spaces that feel both familiar and alien.
Highlights include:
Combined with cinematographer Jeremy Cox's dim yellow lighting, the film creates an atmosphere that feels suffocating from beginning to end.
Every room appears ordinary at first glance, yet somehow deeply unsettling.
“A major new moviemaking talent has arrived in director Kane Parsons, and he’s the beginning of a movement.” (@LATimes)
— A24 (@A24) May 29, 2026
BACKROOMS is now playing in theaters everywhere. pic.twitter.com/NawG4y1NwU
Unlike many modern horror films, Backrooms focuses on psychological tension rather than nonstop scares.
The film delivers:
As Clark and Mary venture deeper into the endless maze, the tension steadily increases toward a terrifying finale.
The result is a horror experience that lingers long after the credits roll.
Kane Parsons proves that his viral internet concept can work brilliantly as a feature-length film. Backrooms combines stunning production design, strong performances from Chiwetel Ejiofor and Renate Reinsve, and an unforgettable atmosphere of dread to create one of the year's most original horror movies.
For viewers who enjoy psychological horror, surreal mysteries, and films that leave questions unanswered, Backrooms is a deeply unsettling journey worth experiencing.
Rating: 4.5/5
Updated January 1, 1970
Updated January 1, 1970
Updated January 1, 1970