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Elisabeth Moss on ‘The Handmaid’s Tale’ Full-Circle Finale

The Handmaids Tale Full-Circle Finale

Elisabeth Moss Calls ‘The Handmaid’s Tale’ Finale a Poetic Full-Circle Moment

Elisabeth Moss has called the series finale of The Handmaid’s Tale a “full-circle” moment, one that intentionally mirrors the show’s opening and brings June Osborne’s journey to a deeply personal and poetic close. As both star and director of the final episode, Moss shared how the last scene — with June sitting in the ruins of the Waterford home, recording her memoir — was crafted to resonate with the audience and close a symbolic loop that began in Episode 1.

The Final Monologue: A Callback With Power

  • In the pilot episode, Offred (June) sits in a sparse room and says, “A chair. A table. A lamp…” ending with “My name is June,” a quiet act of rebellion and self-preservation.

  • In the finale, June — now free — returns to the same house, now in ruins, and begins recording her story. She says the same words: “A chair. A table. A lamp…,” reclaiming her voice and agency.

  • The final monologue is actually a blend of Moss’s original 2017 voiceover and a newly recorded version, carefully layered to create a powerful echo across time.

Read more: Handmaid’s Tale Ending: Who Died, Broke Up & Came Back

Crafting the Scene

  • Moss admitted she only started preparing 10 minutes before filming the scene and rewatched the pilot on her phone via the Hulu app to match the original cadence.

  • The result is a chilling and emotional payoff, which Moss calls “television gold.”

Themes of Identity, Survival & Legacy

  • The finale centers on June beginning to write her memoir — the eponymous "The Handmaid’s Tale" — as a way to document her trauma and survival.

  • Moss emphasized that this act allows June to take control of her story and leave a legacy of resistance for future generations.

  • The imagined vision of her daughter, Hannah, suggests enduring hope, but also acknowledges the unresolved pain of separation.

Not a Fairytale Ending — And That’s the Point

  • June doesn’t reunite with Hannah, a choice influenced by Margaret Atwood’s sequel, The Testaments, where Hannah’s fate is already established.

  • Gilead isn’t fully defeated, but its foundation is shaken, and June is more committed than ever to fighting.

  • June’s parting from Luke and her gesture of forgiveness toward Serena show the emotional evolution of her character — not happily-ever-after, but healing and growth.

Cultural Echo

  • The finale’s timing — amid real-world events like the overturning of Roe v. Wade — underscores the show's continuing relevance.

  • Just as Season 1 resonated during the Trump presidency and early #MeToo era, the finale lands during another moment of political and societal reckoning, making the return to the beginning all the more powerful.

Legacy and Next Chapter

  • Moss, now moving on to produce and star in Imperfect Women, remains tied to the franchise as an executive producer of the upcoming adaptation of The Testaments.

  • Her portrayal of June — a woman who endures, remembers, and ultimately reclaims her story — cements her as one of the most impactful TV protagonists of the streaming era.

In Moss’s words, “I can’t imagine it ending any other way.” And with the final image of June turning pain into testimony, neither can we.

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